In dialog between my body and a wallpaper roller, a hand-crafted object produces before modern technology; I create a process for do an impression in paper. By standing on the roller and walk on it forward and backward I create my reprint in totally soaked paper. My focus has being on the materials, and who the metal ornament penetrate or meet the paper.

Right now it is hanging in the hall, in a minimalistic idiom, but in the same time the papers merge with the brick wall. In near future colour in the water will be added to the process, too see the small changes in paper nuances. It’s talking in langue to the brain through the body, by questions the Real, as Lacans Reelle despite: “The Real is what language cannot contain. Reality cannot be entirely represented in language and we can look at the Real as whatever cannot be represented directly by the body in language, such as instincts and impulses. We can also look at it as whatever escapes in the process of human “entry” into the realm of language, when words are divided into signifiers and the signified, forms and content, symbols and images. It can also be described as archaic psychic and psychosomatic events which cannot or have not been symbolized. The Real is whatever cannot be known consciously or unconsciously either because of the impossibility of its symbolization or because symbolization itself establishes the Real precisely as lack.”